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Dwanaście lat później, poznaje przystojnego Dereka, bogatego biznesmena i zostaje jego żoną, mając nadzieję, że w ten sposób zapomni o przeszłości. Para swój miodowy miesiąc spędza na Karaibach. Gdy mężczyzna zostaje ranny, trafia do szpitala. Następnego ranka Ava udaje się tam, by go odwiedzić, jednak po przybyciu na miejsce, okazuje się, że Dereka nie ma i nie było w placówce. Kobieta podejrzewa najgorsze: porwanie. Zaginięcie zgłasza komendantowi Ramónowi Garza, jednak ten zbywa ją, twierdząc, że to ona zamordowała męża. 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Po studiach postanowiła zgłębić ideę \"amerykańskiego snu\", portretując aparatem fotograficznym tych, którzy dążą do bogactwa wierząc, że najważniejszy w życiu jest niczym nieograniczony i nie skrępowany materializm.","\u002Fehe6Hrf9Re7BdO7ErIM49FrO0JY.jpg",[14],0.5214,"2018-07-20",103,{"adult":8,"backdrop_path":566,"id":567,"title":568,"original_title":568,"overview":569,"poster_path":570,"media_type":361,"original_language":45,"genre_ids":571,"popularity":572,"release_date":573,"softcore":8,"video":8,"vote_average":574,"vote_count":575},"\u002FtrPmeJW25TFrejTNSXnLVpu64Fa.jpg",46689,"Waste Land","An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. 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