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Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s \"Doorbell\" and \"Baby Blue\" by Shinichiro Watanabe use understated realism for very surreal purposes. 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Co łączy Marię z panem Suzukim?","\u002Ft423jUrgro2rqV3TOOx7lbAbUNw.jpg",[14,98,128,114,236,237],10770,80,1.5803,"1998-07-24",6.426,47,{"adult":8,"backdrop_path":243,"id":244,"title":245,"original_title":246,"overview":247,"poster_path":248,"media_type":84,"original_language":19,"genre_ids":249,"popularity":250,"release_date":251,"softcore":8,"video":8,"vote_average":252,"vote_count":253},"\u002FpDwQIMQPO0PHa8s0Q0NHYMWOZIB.jpg",13274,"Final Fantasy VII: Last Order","ラストオーダー -ファイナルファンタジーVII-","After the destruction of Nibelheim at the hands of Sephiroth, Zack and Cloud are on the run from Shinra Inc. 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