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What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.","\u002Fp1Od99QxnzCB9vKu9uxkZQlPZQ5.jpg",[13],2.1038,6.714,91,{"adult":8,"backdrop_path":489,"id":490,"title":491,"original_title":491,"overview":492,"poster_path":493,"media_type":276,"original_language":19,"genre_ids":494,"popularity":495,"release_date":496,"softcore":8,"video":8,"vote_average":497,"vote_count":498},"\u002FqhQCEwJNHlLqb7p7UHA2q0iWBMd.jpg",21925,"Naqoyqatsi","Trzecia część kultowej, uznanej przez krytyków trylogii Godfreya Reggio i Philipa Glassa. Po \"Koyaanisqatsi\" (film zdobył nagrodę Los Angeles Film Critics Association), pokazującym szaleństwo świata i \"Powaqqatsi\", ukazującym życie w transformacji, powstała trzecia część \"Naqoyqatsi\" - świat w stanie wojny. \"Naqoyqatsi\" wykorzystuje oszałamiające wiązki obrazów oraz technikę by zaprezentować piękny i poruszający obraz rozwoju relacji ludzi z naturą i technologią.","\u002FbuDo6FcSlOVEQJomKB0IviNV0Do.jpg",[13],1.4227,"2002-09-02",6.159,157,31,618]