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Chirp-1 \u002F Quantel was created in two separate effects passes: At the RPI Video Synthesizer Lab an old porno tape (on stock that was donated to us) was processed using an analog Serge modular music synthesizer to sequence the sounds and control the colorization of an analog Hern video synthesizer. The sounds are also inserted into the video, which are the stripes you see, changing with frequency. The tape from the first pass was taken to EUE Video and used to seed an analog feedback loop around a Quantel 5000 digital effects device.",0.5381,"\u002Ff7Q6GbHYw60ytAqpmqbVr4PNXTl.jpg","1979-05-06",{"adult":8,"backdrop_path":10,"genre_ids":137,"id":138,"title":139,"original_language":22,"original_title":139,"overview":140,"popularity":141,"poster_path":10,"release_date":142,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],1226582,"Dark Blue Sky","A short film that only uses photos and intertitles, this visual scenario depicts the sky as the sun sets. 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He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. 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The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.",0.4761,"\u002FwUcyK8b8n2MjfRFHj3L8lz6gPD.jpg","1984-01-01",{"adult":8,"backdrop_path":10,"genre_ids":205,"id":206,"title":207,"original_language":22,"original_title":207,"overview":208,"popularity":209,"poster_path":210,"release_date":211,"softcore":8,"video":8,"vote_average":38,"vote_count":39},[14],650147,"Wintopia","IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.",0.9219,"\u002FzmQA1WCUVjvNQ2NEbGq1XTIfstp.jpg","2019-11-23",{"adult":8,"backdrop_path":213,"genre_ids":214,"id":215,"title":216,"original_language":217,"original_title":216,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002F6yh5qxZuquoI2gtAseEuDBDuARM.jpg",[14],650262,"Viva video, video viva","cs","Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. But for Czech artists who first explored the possibilities offered by video art in the late 1980s, this medium represented a path towards freedom. Through a portrait of her grandfather Radek Pilař, one of the pioneers of Czech video art, the director explores her own legacy of imperative creative fascination. Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.",0.8131,"\u002FvjYrQd5yOxyzykvmAVfq1Xz9zYq.jpg","2020-02-13",{"adult":8,"backdrop_path":223,"genre_ids":224,"id":226,"title":227,"original_language":190,"original_title":227,"overview":19,"popularity":228,"poster_path":229,"release_date":230,"softcore":8,"video":231,"vote_average":11,"vote_count":11},"\u002FvQG2k45i3OfyIdijqXE0XXY3FCL.jpg",[14,225,113,111],10749,650275,"Cóndor",1.0055,"\u002FgaQcOdIgfDVV3ogh9ct8ML6cfW6.jpg","2016-11-03",true,{"adult":8,"backdrop_path":10,"genre_ids":233,"id":234,"title":235,"original_language":236,"original_title":237,"overview":238,"popularity":239,"poster_path":240,"release_date":241,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[17],1223789,"Plasforms","fr","Plasformes","\"Plasforms\" is above all a visual composition, the relevance of the camera's absence, continuing in its time the plastic tradition of seeing. 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