[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"lookup-soup-cans-and-superstars-how-pop-art-changed-the-world-2015":3,"movie-soup-cans-and-superstars-how-pop-art-changed-the-world-2015-en":7},{"id":4,"title":5,"year":6},466187,"Soup Cans and Superstars: How Pop Art Changed the World","2015",{"adult":8,"backdrop_path":9,"belongs_to_collection":10,"budget":11,"genres":12,"homepage":16,"id":4,"imdb_id":17,"origin_country":18,"original_language":20,"original_title":5,"overview":21,"popularity":22,"poster_path":23,"production_companies":24,"production_countries":29,"release_date":32,"revenue":11,"runtime":33,"softcore":8,"spoken_languages":34,"status":37,"tagline":16,"title":5,"video":8,"vote_average":38,"vote_count":39,"credits":40,"similar":73,"videos":246,"watch\u002Fproviders":248,"recommendations":250},false,"\u002F6mLWhtcNzwl4G8o39Xvy9TByLTs.jpg",null,0,[13],{"id":14,"name":15},99,"Documentary","","tt5520602",[19],"GB","en","Alastair Sooke champions pop art as one of the most important art forms of the twentieth century, peeling back pop's frothy, ironic surface to reveal an art style full of subversive wit and radical ideas. In charting its story, Alastair brings a fresh eye to the work of pop art superstars Andy Warhol and Roy Lichtenstein and tracks down pop's pioneers, from American artists like James Rosenquist, Claes Oldenburg and Ed Ruscha to British godfathers Peter Blake and Allen Jones. Alastair also explores how pop's fascination with celebrity, advertising and the mass media was part of a global art movement, and he travels to China to discover how a new generation of artists are reinventing pop art's satirical, political edge for the 21st century.",0.412,"\u002FtbL9WAC0GMpIj8ngVNBRhtXrF6G.jpg",[25],{"id":26,"logo_path":27,"name":28,"origin_country":19},5778,"\u002F2loyoQweDxvotH3AknfL2zhsthg.png","Channel 4 Television",[30],{"iso_3166_1":19,"name":31},"United Kingdom","2015-08-24",90,[35],{"english_name":36,"iso_639_1":20,"name":36},"English","Released",8,1,{"cast":41,"crew":65},[42,51,58],{"adult":8,"gender":43,"id":44,"known_for_department":45,"name":46,"original_name":46,"popularity":47,"profile_path":48,"cast_id":11,"character":49,"credit_id":50,"order":11},2,1257703,"Acting","Alastair Sooke",0.3173,"\u002Fin8f8Xw38Sw8EUDiK5jZUssGUdc.jpg","Presenter","596727169251415a4010c7d2",{"adult":8,"gender":43,"id":52,"known_for_department":45,"name":53,"original_name":53,"popularity":54,"profile_path":55,"cast_id":43,"character":56,"credit_id":57,"order":39},1307210,"Peter Blake",0.3874,"\u002Fc8eHyVX7KAQ6sbhGcZZYzuM4lA.jpg","Himself","5e859e395294e700114a8914",{"adult":8,"gender":43,"id":59,"known_for_department":45,"name":60,"original_name":60,"popularity":61,"profile_path":62,"cast_id":63,"character":56,"credit_id":64,"order":43},1720901,"James Rosenquist",0.1703,"\u002F8DWwTO3sKRD4UgulP3gPXjfEpY0.jpg",3,"5e859e66da10f00018ede7e7",[66],{"adult":8,"gender":39,"id":67,"known_for_department":68,"name":69,"original_name":69,"popularity":70,"profile_path":10,"credit_id":71,"department":68,"job":72},1701176,"Directing","Jude Ho",0.2262,"5c5b17499251413389b8689f","Director",{"page":39,"results":74,"total_pages":244,"total_results":245},[75,84,91,99,107,117,124,132,144,152,160,168,176,184,193,202,211,218,227,235],{"adult":8,"backdrop_path":10,"genre_ids":76,"id":77,"title":78,"original_language":79,"original_title":78,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],1007973,"Philippe-Alain Michaud, le réel traversé par la fiction","fr","To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves!  Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.",4.3438,"\u002F1kK4PGDR4EKT1FitzBzgCnTwhwM.jpg","2016-01-01",{"adult":8,"backdrop_path":10,"genre_ids":85,"id":86,"title":87,"original_language":20,"original_title":87,"overview":88,"popularity":89,"poster_path":10,"release_date":90,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],444929,"Saving Africa's Witch Children","This shocking documentary reveals the plight of young Nigerians branded as witches.",0.2515,"2008-05-26",{"adult":8,"backdrop_path":10,"genre_ids":92,"id":93,"title":94,"original_language":20,"original_title":94,"overview":95,"popularity":96,"poster_path":10,"release_date":97,"softcore":8,"video":98,"vote_average":11,"vote_count":11},[14],444468,"The Junk King","The Junk King (Vince Hannemann) gives valuable insight regarding his art and the Cathedral of Junk in Austin, TX.",0.1468,"2012-03-01",true,{"adult":8,"backdrop_path":10,"genre_ids":100,"id":101,"title":102,"original_language":20,"original_title":102,"overview":103,"popularity":104,"poster_path":105,"release_date":106,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],625589,"A History of the Australian Aboriginal","Colin Jones is of Aboriginal, Polynesian and English decent. 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Colin's reason for making this video is to explain from an Aboriginal point of view based on his historical data, what has happened to his people over the past two hundred years since the white man arrive in Australia.",0.1385,"\u002Fzbb1qr6rWaoQl7BI4xXaFaXef0P.jpg","1997-01-01",{"adult":8,"backdrop_path":108,"genre_ids":109,"id":110,"title":111,"original_language":20,"original_title":111,"overview":112,"popularity":113,"poster_path":114,"release_date":115,"softcore":8,"video":8,"vote_average":116,"vote_count":63},"\u002FzgMaQXdXyugzHHml0Q7TExauj7u.jpg",[14],444544,"Clínica de Migrantes: Life, Liberty, and the Pursuit of Happiness","Puentes de Salud is a volunteer-run clinic that provides free medical care to undocumented immigrants in south Philadelphia. Here, doctors and nurses work for free to serve people who would otherwise fall through the cracks. Clinica de Migrantes, a potent film by Maxim Pozdorovkin, follows the workers and patients of Puentes through months of routine care and growth. Along the way, the film puts a face to the millions of people who exist on the margins of society: people displaced from their homelands, separated from their families, unfamiliar with the customs, unable to obtain health insurance and terrified to come forward to seek medical help. 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Since his 2005 election on a populist, \"man of the people\" platform, Ahmadinejad has encouraged Iranians to send him such letters; according to a staff member, he has received about 10 million of them, and has been able to respond to nearly 76 percent. In one letter, a 16-year-old boy says his family has no money and goes to bed hungry every night. According to the staff member, the boy will be helped. 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The special also promises an \"extraordinary peek into Marvel's future!\" Might Marvel release the first official footage from next year's Avengers: Age of Ultron or Ant-Man? 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