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One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary.  This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.",0.1259,"\u002FuwNMgZP9MaqVPOoaKBJUsbqAZAy.jpg","1992-01-10",{"adult":8,"backdrop_path":174,"genre_ids":175,"id":176,"title":177,"original_language":178,"original_title":177,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":8,"video":8,"vote_average":10,"vote_count":10},"\u002F27sYS7ret5xOoiBm5AMG0V0W2q3.jpg",[13],638061,"Alban Berg - Wozzeck","de","The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. 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Pierre Audi's mythical staging and Jean Kalman's fabulous set design complement the composer's own musical direction, forging the dazzlingly versatile soloists, the Netherlands Chamber Orchestra and Cappella Amsterdam to a stunning symbiosis of elements across time and space, a true testimony to cultures intertwined in globalization.",0.168,"\u002FsrZ3IeAuupi9olw35OOM597ifzf.jpg","2008-01-01",{"adult":8,"backdrop_path":9,"genre_ids":237,"id":238,"title":239,"original_language":222,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":226,"softcore":8,"video":8,"vote_average":244,"vote_count":46},[13,16],625842,"Andrea Chenier","Andrea Chénier","Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he\u002Fshe played.",0.1421,"\u002F54dZVAm2Ho5OtESVHylAkKdfEOr.jpg",7.5,{"adult":8,"backdrop_path":246,"genre_ids":247,"id":249,"title":250,"original_language":212,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":8,"video":8,"vote_average":67,"vote_count":34},"\u002F2z0N79fvyDQ7xDRMQeDdVeZRRc4.jpg",[13,248],18,446729,"The Metropolitan Opera: Roméo et Juliette","Diana Damrau and Vittorio Grigolo are opera’s classic lovers in Gounod’s lush Shakespeare adaptation. Director Bartlett Sher’s “brilliant and inspired new production … is a revelation” (Huffington Post), and has already won acclaim for its vivid 18th-century milieu and stunning costumes during runs at Salzburg and La Scala. Emmanuel Villaume conducts the sumptuous score.",0.2236,"\u002FqKJqFlFtXPJCs0gwNC7afAQb5G7.jpg","2017-01-21",{"adult":8,"backdrop_path":256,"genre_ids":257,"id":258,"title":259,"original_language":222,"original_title":259,"overview":260,"popularity":261,"poster_path":262,"release_date":263,"softcore":8,"video":8,"vote_average":10,"vote_count":10},"\u002FsVugyOBPofaHS4HV9hfRCSYurAA.jpg",[13],446730,"Verdi: Nabucco","The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.",0.2603,"\u002F3wEiBLpMbAomEbDlVobc8Rvw4RC.jpg","2017-01-07",{"adult":8,"backdrop_path":265,"genre_ids":266,"id":267,"title":268,"original_language":22,"original_title":268,"overview":269,"popularity":270,"poster_path":271,"release_date":272,"softcore":8,"video":227,"vote_average":10,"vote_count":10},"\u002FgRXWoJ3gG7a91FnFmTzS4qAKhrc.jpg",[13],446871,"Royal Opera House: Così fan tutte","Semyon Bychkov conducts a cast of young, up-and-coming talent including American soprano Corinne Winters in a new production of Mozart’s opera on the nature of love.",0.1519,"\u002FilTwIqUrLRwfELrYtKOxgE2zNyn.jpg","2016-10-17",{"adult":8,"backdrop_path":9,"genre_ids":274,"id":275,"title":276,"original_language":178,"original_title":276,"overview":277,"popularity":278,"poster_path":279,"release_date":280,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[248,13],276371,"Richard Wagner: Tannhäuser","Witness the Zurich Opera's stunning production of Richard Wagner's masterpiece \"Tannhauser,\" conducted by Franz Welser-Most and featuring Peter Sieffert (Tannhauser), Solveig Kringelborn (Elisabeth) and Roman Trekel (von Eschenbach). 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Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. 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