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Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. \"It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!\"","\u002FbK0KMcbe3LMIoCIBiIAlIRONJKL.jpg",[119,13],1.2108,"1985-07-13",7.9,52,{"adult":8,"backdrop_path":465,"id":466,"title":467,"original_title":467,"overview":468,"poster_path":469,"media_type":283,"original_language":19,"genre_ids":470,"popularity":471,"release_date":472,"softcore":8,"video":8,"vote_average":473,"vote_count":474},"\u002FvYW3Cxlp5PPJ0OVjq3LOvgMyPdH.jpg",250668,"Rich Hill","If you ever find yourself traveling down Interstate 49 through Missouri, try not to blink—you may miss Rich Hill, population 1,396. Rich Hill is easy to overlook, but its inhabitants are as woven into the fabric of America as those living in any small town in the country. This movie intimately chronicles the turbulent lives of three boys living in said Midwestern town and the fragile family bonds that sustain them.","\u002FuREVXf7LXUZuadZ4Ne20b5XB6IU.jpg",[13],0.3636,"2014-01-19",6.913,75,{"adult":8,"backdrop_path":476,"id":477,"title":478,"original_title":478,"overview":479,"poster_path":480,"media_type":283,"original_language":19,"genre_ids":481,"popularity":482,"release_date":483,"softcore":8,"video":8,"vote_average":484,"vote_count":485},"\u002FqhQCEwJNHlLqb7p7UHA2q0iWBMd.jpg",21925,"Naqoyqatsi","A visual montage portrait of our contemporary world dominated by globalized technology and violence.","\u002FbuDo6FcSlOVEQJomKB0IviNV0Do.jpg",[13],0.9779,"2002-09-02",6.149,154,{"adult":8,"backdrop_path":487,"id":488,"title":489,"original_title":489,"overview":490,"poster_path":491,"media_type":283,"original_language":19,"genre_ids":492,"popularity":493,"release_date":494,"softcore":8,"video":8,"vote_average":495,"vote_count":496},"\u002Fkwccaxm4rN5eVVZzkRIkac8Lba9.jpg",376534,"Cameraperson","As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.","\u002Fp1Od99QxnzCB9vKu9uxkZQlPZQ5.jpg",[13],0.5631,"2016-09-09",6.7,92,35,691]