[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"lookup-la-traviata-2001":3,"movie-la-traviata-2001-en":7},{"id":4,"title":5,"year":6},267757,"La Traviata","2001",{"adult":8,"backdrop_path":9,"belongs_to_collection":9,"budget":10,"genres":11,"homepage":15,"id":4,"imdb_id":16,"origin_country":17,"original_language":20,"original_title":5,"overview":21,"popularity":22,"poster_path":23,"production_companies":24,"production_countries":33,"release_date":36,"revenue":10,"runtime":10,"softcore":8,"spoken_languages":37,"status":42,"tagline":15,"title":5,"video":8,"vote_average":43,"vote_count":44,"similar":45,"credits":254,"recommendations":334,"watch\u002Fproviders":561,"videos":563},false,null,0,[12],{"id":13,"name":14},10402,"Music","","tt0253836",[18,19],"US","GB","en","La traviata (Italian: [la traˈviaːta], \"The Fallen Woman\"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.  Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, \"c. 1700\". It was not until the 1880s that the composer and librettist's original wishes were carried out and \"realistic\" productions were staged.[3]",0.2559,"\u002FsfQlLJVUeKWVJdXmcZrXPulXkbn.jpg",[25,29],{"id":26,"logo_path":27,"name":28,"origin_country":19},11514,"\u002FuC4LtXWXfuDleivpGYSOsl8veXN.png","Royal Opera House",{"id":30,"logo_path":31,"name":32,"origin_country":19},18872,"\u002F9PNdO6L1bh8ZVjIwOKjveRia3Ku.png","Decca",[34],{"iso_3166_1":19,"name":35},"United Kingdom","2001-03-04",[38],{"english_name":39,"iso_639_1":40,"name":41},"Italian","it","Italiano","Released",7.333,3,{"page":46,"results":47,"total_pages":252,"total_results":253},1,[48,60,70,82,94,103,115,127,138,149,158,167,174,183,192,202,210,223,232,242],{"adult":8,"backdrop_path":49,"genre_ids":50,"id":51,"title":52,"original_language":53,"original_title":54,"overview":55,"popularity":56,"poster_path":57,"release_date":58,"softcore":8,"video":8,"vote_average":59,"vote_count":46},"\u002Ftr6arufiDMziUuMfNVJtB7MNDfX.jpg",[13],430806,"Tchaikovsky: Iolanta \u002F Bartók: Bluebeard's Castle","ru","Иоланта\u002FЗамок герцога «Синяя борода»","Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.",0.2737,"\u002F6aYk9yjqMidbOCXiJQdbNwdT1AK.jpg","2015-02-14",5,{"adult":8,"backdrop_path":61,"genre_ids":62,"id":63,"title":64,"original_language":20,"original_title":64,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":8,"video":69,"vote_average":10,"vote_count":10},"\u002Fmh1L652A6ZzmCClDzV9bShjNoet.jpg",[13],430804,"The Metropolitan Opera: Rusalka","Renée Fleming sings one of her signature roles, the title character in Dvořák’s sumptuously melodic Rusalka. The story of the opera, which is about a water spirit’s tragic romance with a human prince, is drawn from several folktale sources including Hans Christian Andersen’s “The Little Mermaid.”  Star conductor Yannick Nézet-Séguin leads a cast that also includes Piotr Beczala as the handsome Prince whom Rusalka yearns to love; Dolora Zajick as the cackling swamp witch Ježibaba; Emily Magee as the Foreign Princess, Rusalka’s rival; and John Relyea as Rusalka’s father, the Water Sprite.",0.1643,"\u002Fp7Td6ma1kPJgJejyqQ2ZgsiSraV.jpg","2014-02-08",true,{"adult":8,"backdrop_path":71,"genre_ids":72,"id":74,"title":75,"original_language":76,"original_title":75,"overview":77,"popularity":78,"poster_path":79,"release_date":80,"softcore":8,"video":8,"vote_average":81,"vote_count":46},"\u002Fsrwn2FgCwIgRXoGF1qdgAxb6uA8.jpg",[13,73],18,430805,"Berlioz: La Damnation de Faust","fr","Radiant mezzo-soprano Susan Graham and dashing Italian tenor Marcello Giordani are unlucky lovers in La Damnation de Faust, Hector Berlioz’s classic take on dancing with the devil.",0.1461,"\u002FkZllFMnsr13xe4CrUqZaAuXwJPs.jpg","2008-11-22",10,{"adult":8,"backdrop_path":83,"genre_ids":84,"id":85,"title":86,"original_language":87,"original_title":86,"overview":88,"popularity":89,"poster_path":90,"release_date":91,"softcore":8,"video":69,"vote_average":92,"vote_count":93},"\u002F2cSvAnISiARDfr4NlxKOMyRhbxF.jpg",[13,73],256868,"Die Walküre","de","The gorgeous and evocative Otto Schenk\u002FGünther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)",0.1657,"\u002Fld7TnxqFhnYza2wxW7scYMv831c.jpg","1990-02-23",8.125,8,{"adult":8,"backdrop_path":95,"genre_ids":96,"id":97,"title":98,"original_language":87,"original_title":98,"overview":99,"popularity":100,"poster_path":101,"release_date":91,"softcore":8,"video":69,"vote_average":102,"vote_count":44},"\u002Fo1aKKynkXsy6V6lmY8BD6yZY7Ck.jpg",[13],256869,"Siegfried","Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.",0.2305,"\u002FaI0zLGuSzFILSecoxWwzXqtNjmF.jpg",7.667,{"adult":8,"backdrop_path":104,"genre_ids":105,"id":106,"title":107,"original_language":108,"original_title":109,"overview":110,"popularity":111,"poster_path":112,"release_date":113,"softcore":8,"video":69,"vote_average":43,"vote_count":114},"\u002Fc5lA0zdqpEG1QqnlyPRPUeDdG57.jpg",[13],430460,"Andre Rieu : Christmas In London","nl","André Rieu: Christmas in London","Christmas is now more beautiful and cosy than ever! Experience Christmas in London, together with André Rieu. Decorated Christmas trees everywhere you look, beautifully lit streets, tempting Christmas window displays... Combine the unique London Christmas atmosphere with a magnificent Christmas concert by André Rieu, and you have all the ingredients for a lovely party in the dark December days. Together with fantastic soloists and his always joyful Johann Strauss orchestra, André Rieu provides a fabulous evening with the most beautiful and moving Christmas carols, but also with emotional songs such as Leonard Cohen's Hallelujah, The Holy City and the classic Concierto de Aranjuez.  Christmas in London means an evening enjoying lovely music, beautiful costumes and plenty of London cosiness.",0.1558,"\u002F1BM4k6PGNL4jVdpsakoo7AjV5qY.jpg","2016-12-09",6,{"adult":8,"backdrop_path":116,"genre_ids":117,"id":119,"title":120,"original_language":20,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":8,"video":8,"vote_average":125,"vote_count":126},"\u002F6FSs7jMimg1PBYdhZtPNQhtKtEc.jpg",[118,13],27,964,"The Phantom of the Opera","The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.",1.3187,"\u002FmvaYpAYj957C2tlq3vVJPSzGJXK.jpg","1925-06-29",7.1,397,{"adult":8,"backdrop_path":9,"genre_ids":128,"id":129,"title":130,"original_language":53,"original_title":131,"overview":132,"popularity":133,"poster_path":134,"release_date":135,"softcore":8,"video":8,"vote_average":136,"vote_count":137},[73,13],433303,"Lady Macbeth of Mtsensk","Lady Macbeth von Mzensk","A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.",0.3383,"\u002FeDwUDiQ4prqF1DXqPZdUIy1p1vl.jpg","1992-01-01",4.5,4,{"adult":8,"backdrop_path":9,"genre_ids":139,"id":141,"title":142,"original_language":143,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":148,"softcore":8,"video":8,"vote_average":93,"vote_count":46},[140,13],10749,434165,"Love Affairs and Heartbreaks","el","Αγάπες και Καημοί","This first film of Cyprus' first director, Giorgios Filis, depicts music and dance customs in the form and style of a folk opera, with traditional Cypriot dances and songs. The film consists of a folkloric inventory based on the folk culture of Cyprus, as well as on similar ritual happenings. The narration and dialogue are entirely in the Cypriot dialect and are characterized by a rhetorical and poetic mood.",0.142,"\u002FfZx2vTPz3V2meI4KP49oLw1PfGJ.jpg","1967-01-01",{"adult":8,"backdrop_path":150,"genre_ids":151,"id":152,"title":153,"original_language":20,"original_title":153,"overview":154,"popularity":155,"poster_path":156,"release_date":157,"softcore":8,"video":8,"vote_average":10,"vote_count":10},"\u002FzTuhmDDxNtcuEJ092yOblg0duUM.jpg",[13],786149,"Rossini: Il Barbiere di Siviglia (Théâtre des Champs-Élysées, 2017)","This is Laurent Pelly’s Théâtre des Champs-Élysées staging of Rossini’s Il barbiere di Siviglia, with a cast featuring Florian Sempey as Figaro, Catherine Trottmann as Rosina, and Michele Angelini as Il Conte Almaviva.  Jérémie Rhorer conducts Le Cercle de l-Harmonie.",0.1729,"\u002Fb3VEeQC13OIXyXQukaFOeZgtUFG.jpg","2019-08-01",{"adult":8,"backdrop_path":159,"genre_ids":160,"id":161,"title":162,"original_language":40,"original_title":162,"overview":163,"popularity":164,"poster_path":165,"release_date":166,"softcore":8,"video":8,"vote_average":10,"vote_count":10},"\u002F5rd6qy4YTBVfWUtSHDRTOfHEFEx.jpg",[13],790135,"Così fan tutte - Salzburger Festspiele 2020","As Christof Loy put it: Così fan tutte invites us to embrace the complexity of life and face the future with heads held high. In his staging of the version he abridged with Joana Mallwitz for the Salzburg Festival 2020 the focus is wholly on the figures and the subtle choreography of their emotional states — in a space that like a magnifying glass exposes the intricate mechanisms between the characters. In this way the production leads the protagonists and the audience to experience the ‘serene calm’ that can perhaps indeed cure our own ‘distempers’.",0.1488,"\u002FoRZBirF6YDOdpPOaMnEvnjviRwD.jpg","2020-08-06",{"adult":8,"backdrop_path":9,"genre_ids":168,"id":169,"title":170,"original_language":20,"original_title":170,"overview":171,"popularity":172,"poster_path":9,"release_date":173,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],447406,"Rigoletto","Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.  This 1994 recording, directed by Riccardo Muti, stars Roberto Alagna, Renato Bruson and Andrea Rost.",0.1764,"1994-01-01",{"adult":8,"backdrop_path":9,"genre_ids":175,"id":176,"title":177,"original_language":40,"original_title":177,"overview":178,"popularity":179,"poster_path":180,"release_date":181,"softcore":8,"video":8,"vote_average":182,"vote_count":46},[13,73],628799,"Otello","This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.",0.1877,"\u002Fw6PcNbZ5kXv7moXKH8GzzX7NjZW.jpg","2001-12-07",9,{"adult":8,"backdrop_path":184,"genre_ids":185,"id":186,"title":187,"original_language":40,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":8,"video":69,"vote_average":182,"vote_count":46},"\u002Fb69nMPBvU7FCGQiz8bvrSTtvkBn.jpg",[13],272294,"Giacomo Puccini: Gianni Schicchi","In the mid-20th century, in Fucecchio, near Florence, Buoso Donati, an elderly collector and wealthy antique dealer, has just passed away. He lies in his bed, surrounded by relatives feigning grief. They are all worried, as the deceased has bequeathed his entire fortune to a monastery. They search frantically for the will. The young Riniccio, Donati’s nephew, finds it but agrees to show it to the family only if they promise to let him marry Lauretta, the daughter of Gianni Schicchi, a local figure of dubious reputation. Everyone accepts the condition and discovers to their horror that the rumour was true: the monks are set to inherit the fortune. Riniccio suggests calling on Schicchi for help, much to the family’s disgust. Summoned, Riniccio arrives at the house accompanied by his daughter. He proposes keeping the death a secret, taking his place, and instructing a doctor and a notary to alter ‘his’ testamentary dispositions. But has the hunter become the hunted? Not so sure...",0.1586,"\u002Ftk4XTQA17wvefVkpAvsEKZAwANn.jpg","2004-08-19",{"adult":8,"backdrop_path":9,"genre_ids":193,"id":195,"title":196,"original_language":20,"original_title":196,"overview":197,"popularity":198,"poster_path":199,"release_date":200,"softcore":8,"video":8,"vote_average":114,"vote_count":201},[194,13],878,282912,"1984","Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's totalitarian nightmare, where \"Big Brother\" is always watching, and those guilty of \"thoughtcrime\" are condemned to face their worst fears in the infamous \"Room 101\". Filmed during world premiere performances of Robert Lepage's spectacular and psychologically gripping Royal Opera production and conducted by the composer, an international cast brings George Orwell's dark vision to shattering operatic life.",0.3529,"\u002FlYv6ej3SHZFcwaVYBK07TZXLnEh.jpg","2008-05-12",2,{"adult":8,"backdrop_path":203,"genre_ids":204,"id":205,"title":206,"original_language":20,"original_title":206,"overview":207,"popularity":22,"poster_path":208,"release_date":209,"softcore":8,"video":8,"vote_average":182,"vote_count":46},"\u002F3PF5g3zFDOrntf1nzBnraIfqLod.jpg",[13],282807,"The Ghosts of Versailles","What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary.  This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.","\u002FuwNMgZP9MaqVPOoaKBJUsbqAZAy.jpg","1992-01-10",{"adult":8,"backdrop_path":211,"genre_ids":212,"id":215,"title":216,"original_language":20,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":8,"video":8,"vote_average":221,"vote_count":222},"\u002FuLBAdHJflcPz38suDfbYUTHFPhr.jpg",[213,214,13],16,35,53217,"What's Opera, Doc?","Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.",0.7236,"\u002FkkbaY8UyPbyzU3xg8CONgwW0Eid.jpg","1957-07-06",7.6,211,{"adult":8,"backdrop_path":9,"genre_ids":224,"id":226,"title":227,"original_language":40,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13,225],9648,1025645,"dei notturni splendori","“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.”  The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown.  Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.",0.1561,"\u002FmhK6uM8Pzy6oG78PjgFrudD2rM5.jpg","2021-06-11",{"adult":8,"backdrop_path":233,"genre_ids":234,"id":235,"title":236,"original_language":20,"original_title":236,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":8,"video":8,"vote_average":241,"vote_count":46},"\u002FhGs7d3YOLbLx3i6mmiVL0KnABmW.jpg",[214,13],301705,"The Metropolitan Opera: La Fille du Régiment","Madcap physical comedy and impeccable coloratura come together for Natalie Dessay’s indelible portrayal of the feisty tomboy raised by a regiment of French soldiers. Juan Diego Flórez is the young Swiss villager who conquers her heart—and a slew of high Cs. Also featuring uproarious performances by Felicity Palmer and Alessandro Corbelli, as well as a cameo by Tony Award winner Marian Seldes, this laugh-out-loud production was a runaway hit that left audiences exhilarated.",0.3415,"\u002Fa3c0kTYWend3l2GPxNsnG8EwM2x.jpg","2008-04-26",7,{"adult":8,"backdrop_path":243,"genre_ids":244,"id":245,"title":246,"original_language":20,"original_title":246,"overview":247,"popularity":248,"poster_path":249,"release_date":250,"softcore":8,"video":8,"vote_average":221,"vote_count":251},"\u002FgILgPrQztkmZzikPVXF4am1TLqA.jpg",[213,214,13],52971,"Rabbit of Seville","Behind the Hollywood Bowl stage which is playing the opera The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. 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