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Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. 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Hermann Hermann, a Russian emigrant and chocolate manufacturer, married to the capricious Lydia, loses his temper more and more every day when dealing with his workers and other businessmen; until he meets Felix, a vagrant, who seems to be physically identical to him; a disconcerting fact that leads Hermann Hermann to plot a particular way out of a fake world he actually hates.","\u002F4Mw8gaRsctMEHPkjsYM5d1RkGOe.jpg",[14,576],0.3679,"1978-09-15",6.511,47,{"adult":8,"backdrop_path":858,"id":859,"title":860,"original_title":860,"overview":861,"poster_path":862,"media_type":748,"original_language":507,"genre_ids":863,"popularity":864,"release_date":865,"softcore":8,"video":8,"vote_average":866,"vote_count":867},"\u002Fqx9r2keMWhYZgnncVR9DiNvfFnI.jpg",334522,"Alone in Berlin","Berlin in June of 1940. While Nazi propaganda celebrates the regime’s victory over France, a kitchen-cum-living room in Prenzlauer Berg is filled with grief. Anna and Otto Quangel’s son has been killed at the front. This working class couple had long believed in the ‘Führer’ and followed him willingly, but now they realise that his promises are nothing but lies and deceit. They begin writing postcards as a form of resistance and in a bid to raise awareness: Stop the war machine! Kill Hitler! Putting their lives at risk, they distribute these cards in the entrances of tenement buildings and in stairwells. 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