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Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.",0.3303,"\u002F7XEfX46KiuqTbdlYcdxBWuUo8oC.jpg","1969-01-01",{"adult":8,"backdrop_path":144,"genre_ids":145,"id":146,"title":147,"original_language":148,"original_title":149,"overview":150,"popularity":127,"poster_path":151,"release_date":152,"softcore":8,"video":8,"vote_average":153,"vote_count":58},"\u002Fy98zc24lFqPjWhzxcqOvJQHZirw.jpg",[13],620972,"Algeria, Year Zero","fr","Algérie, année zéro","Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: \"For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. 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Produced and narrated by American activists Robert Van Lierop, it details the relationship of the liberation to the wider regional and continental demands for self-determination against minority rule. It notes the complicit roles of foreign governments and companies in supporting Portugal against the African nationalists. Footage from the front lines of the struggle helps contextualize FRELIMO's African socialist ideology, specifically the role of the military in building the new nation, a commitment to education, demands for sexual equality, the introduction of medical aid into the countryside, and the role of culture in creating a single national identity.",0.145,"\u002Fa10kzZHujI1qUnUvOxs6q2b2fDs.jpg","1971-10-31",{"adult":8,"backdrop_path":239,"genre_ids":240,"id":241,"title":242,"original_language":137,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":8,"video":8,"vote_average":248,"vote_count":41},"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg",[13,193],273112,"Algeria in Flames","Algérie en flammes","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",0.1841,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,{"adult":8,"backdrop_path":9,"genre_ids":250,"id":252,"title":253,"original_language":148,"original_title":254,"overview":255,"popularity":256,"poster_path":257,"release_date":258,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13,214,251],18,1524495,"Madame Desbassayns: Myth and Reality of an Icon of Slavery","Madame Desbassayns: Mythe et réalité d'une icône de l'esclavage","The life of Mrs. Desbassayns is exceptional in more than one way in the history of slavery on the island of Réunion. Married at the age of 15 to the forty-year-old Henri-Paulin Panon Desbassayns, this young Creole woman named Hombeline Gonneau immediately embarked on an extraordinary journey. She found herself, in fact, at the head of the most powerful landowning family...",0.1251,"\u002FlXdqaUtSY7YL5zUKM7KyEfwhzLm.jpg","2015-01-01",{"adult":8,"backdrop_path":260,"genre_ids":261,"id":262,"title":263,"original_language":148,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":8,"video":8,"vote_average":269,"vote_count":203},"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg",[251,13],273852,"The Zerda or the Songs of Forgetting","La Zerda ou les chants de l'oubli","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",0.1764,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,{"adult":8,"backdrop_path":271,"genre_ids":272,"id":273,"title":274,"original_language":275,"original_title":274,"overview":276,"popularity":277,"poster_path":278,"release_date":279,"softcore":8,"video":8,"vote_average":280,"vote_count":281},"\u002F8oYuZgPK5mYUfVoz6P6Zn6kqau5.jpg",[13,214],795905,"The First 54 Years: An Abbreviated Manual for Military Occupation","he","An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.",0.1379,"\u002F11vdJPbNhjV1THDtd4llVv9wQh8.jpg","2021-04-25",6.9,8,{"adult":8,"backdrop_path":283,"genre_ids":284,"id":285,"title":286,"original_language":148,"original_title":286,"overview":287,"popularity":288,"poster_path":289,"release_date":290,"softcore":8,"video":8,"vote_average":153,"vote_count":58},"\u002FcgvmGFUPSlUTdWM8d80uGRPfAuF.jpg",[13,193],1363900,"Destins: Général De Bollardière","The exceptional portrait of a pacifist general, the only senior officer to have spoken out against torture. This precious testimony still remains censored in France, since no national channel has to date decided to program this documentary. Son and brother of a soldier, General Pâris de Bollardière was destined for a career in arms. He was, for many years, one of the most brilliant representatives of this adventurer career in France, from Narvik to the Algerian War. After fighting in the French maquis, he reached Indochina, where he suddenly found himself in the aggressor's camps. His beliefs are strongly shaken. But it is in Algeria, where the French army practices torture and summary executions, that he takes the big turn. He expresses his contempt to Massu, and is relieved of his command.  Until his death in 1986, Jacques de Bollardière fought for world peace, from the Larzac plateaus to the Mururoa atolls.",0.2019,"\u002FmrCMyFqhssdAsyq651sv2syH4kv.jpg","1975-03-24",{"adult":8,"backdrop_path":292,"genre_ids":293,"id":294,"title":295,"original_language":148,"original_title":295,"overview":296,"popularity":297,"poster_path":298,"release_date":299,"softcore":8,"video":8,"vote_average":300,"vote_count":32},"\u002FuFCdmlybdxWEN2O9nAf5JRZUbqe.jpg",[13],31291,"Afrique 50","The first French anti-colonialist film, derived from an assignment in which the director was to document educational activities by the French League of Schooling in West Africa. Vautier later filmed what he actually saw: “a lack of teachers and doctors, the crimes committed by the French Army in the name of France, the instrumentalization of the colonized peoples.” For his role in the film, Vautier was imprisoned for several months. The film was banned from public screening for more than 40 years.",0.3763,"\u002FbHV4HeZHmIoxNE0AQX7CNubHSAC.jpg","1950-12-31",6.8,{"adult":8,"backdrop_path":302,"genre_ids":303,"id":304,"title":305,"original_language":148,"original_title":305,"overview":306,"popularity":307,"poster_path":308,"release_date":309,"softcore":8,"video":8,"vote_average":153,"vote_count":58},"\u002Fu99vQyIe5zYV2esFauFEbzuTN8A.jpg",[13,214],827535,"Les Mains Libres","In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . 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Join the Apostle John in a stunning visual narrative that unravels the visions of the End Times. 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