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Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.","\u002Frb0tqV7FxHECv2cRW8H8DJ5RhtP.jpg",[14],1.0471,"2009-05-05",6.974,152,{"adult":8,"backdrop_path":397,"id":398,"title":399,"original_title":399,"overview":400,"poster_path":401,"media_type":302,"original_language":19,"genre_ids":402,"popularity":403,"release_date":404,"softcore":8,"video":8,"vote_average":405,"vote_count":406},"\u002FzAarcAlr0coEpea8d95KHfJYgDA.jpg",464593,"Earth: One Amazing Day","An astonishing journey revealing the awesome power of the natural world. 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Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. 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