[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"lookup-animal-charm-golden-digest-1996":3,"movie-animal-charm-golden-digest-1996-en":7},{"id":4,"title":5,"year":6},255639,"Animal Charm: Golden Digest","1996",{"adult":8,"backdrop_path":9,"belongs_to_collection":10,"budget":11,"genres":12,"homepage":16,"id":4,"imdb_id":17,"origin_country":18,"original_language":20,"original_title":5,"overview":21,"popularity":22,"poster_path":23,"production_companies":24,"production_countries":25,"release_date":28,"revenue":11,"runtime":29,"softcore":8,"spoken_languages":30,"status":33,"tagline":34,"title":5,"video":8,"vote_average":35,"vote_count":36,"credits":37,"similar":85,"videos":292,"recommendations":302,"watch\u002Fproviders":526},false,"\u002FckJEMNQz4Y34ERtmzH8to1Fgds5.jpg",null,0,[13],{"id":14,"name":15},99,"Documentary","http:\u002F\u002Fwww.othercinemadvd.com\u002Fac.html","tt1606593",[19],"US","en","Animal Charm makes videos from other people's videos. By compositing TV and reducing it to a kind of tic-ridden babble, they force television to not make sense. While this disruption is playful, it also reveals an overall 'essence' of mass culture that would not be apprehended otherwise. Videos such as Stuffing, Ashley, and Lightfoot Fever upset the hypnotic spectacle of TV viewing, revealing how advertising creates anxiety, how culture constructs \"nature\" and how conventional morality is dictated through seemingly neutral images. By forcing television to convulse like a raving lunatic, we might finally hear what it is actually saying.",0.194,"\u002FdEWmcTZPGjUPSvN8voK6gxYUVKV.jpg",[],[26],{"iso_3166_1":19,"name":27},"United States of America","1996-01-01",86,[31],{"english_name":32,"iso_639_1":20,"name":32},"English","Released","",4.4,5,{"cast":38,"crew":58},[39,49],{"adult":8,"gender":40,"id":41,"known_for_department":42,"name":43,"original_name":43,"popularity":44,"profile_path":45,"cast_id":46,"character":47,"credit_id":48,"order":11},2,33181,"Acting","Jimmy Smits",2.505,"\u002FdD04JlfW5N8bVrx7Cawn4A6g1xp.jpg",7,"Himself (Archival Footage)","52fea98fc3a3680f1e02732b",{"adult":8,"gender":40,"id":50,"known_for_department":42,"name":51,"original_name":51,"popularity":52,"profile_path":53,"cast_id":54,"character":55,"credit_id":56,"order":57},73959,"Gordon Lightfoot",0.0919,"\u002FdhMIcT2Kaj2YdITPQOdTQUEPGXh.jpg",8,"Himself (archival footage)","58171f75c3a36875f6018d92",1,[59,67,72,78,80,83],{"adult":8,"gender":11,"id":60,"known_for_department":61,"name":62,"original_name":62,"popularity":63,"profile_path":10,"credit_id":64,"department":65,"job":66},1292733,"Writing","Rich Bott",0.0143,"52fea8e8c3a3680f2501b283","Editing","Editor",{"adult":8,"gender":11,"id":68,"known_for_department":61,"name":69,"original_name":69,"popularity":70,"profile_path":10,"credit_id":71,"department":65,"job":66},1292734,"Jim Fetterley",0.0431,"52fea8fbc3a3680f010209a3",{"adult":8,"gender":11,"id":73,"known_for_department":74,"name":62,"original_name":62,"popularity":75,"profile_path":10,"credit_id":76,"department":74,"job":77},1292735,"Directing",0.0555,"52fea915c3a3680f01020c33","Director",{"adult":8,"gender":11,"id":68,"known_for_department":61,"name":69,"original_name":69,"popularity":70,"profile_path":10,"credit_id":79,"department":74,"job":77},"52fea922c3a3680ef30189aa",{"adult":8,"gender":11,"id":68,"known_for_department":61,"name":69,"original_name":69,"popularity":70,"profile_path":10,"credit_id":81,"department":61,"job":82},"52fea946c3a3680f17037fea","Writer",{"adult":8,"gender":11,"id":73,"known_for_department":74,"name":62,"original_name":62,"popularity":75,"profile_path":10,"credit_id":84,"department":61,"job":82},"5ce62e870e0a265cdecd974f",{"page":57,"results":86,"total_pages":290,"total_results":291},[87,95,104,117,125,135,144,153,165,179,189,201,213,223,235,244,253,262,269,279],{"adult":8,"backdrop_path":10,"genre_ids":88,"id":89,"title":90,"original_language":20,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":8,"video":8,"vote_average":54,"vote_count":40},[14],255854,"King of the Jews","King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.",0.1715,"\u002Fe3HopGpy0w4VR05Q0hcwnyqaq2N.jpg","2000-03-14",{"adult":8,"backdrop_path":10,"genre_ids":96,"id":98,"title":99,"original_language":20,"original_title":99,"overview":100,"popularity":101,"poster_path":10,"release_date":102,"softcore":8,"video":8,"vote_average":103,"vote_count":40},[14,97],10402,255650,"Behind a Hill","This documentary is a journey into our own fascination, a collection of portraits of folk musicians living in New England, and a study of the ground on which their music is founded. We listen to them as they tell their stories and play their music. First and foremost, Behind a Hill is a tribute to these musicians and a rare peep into the house parties and basement jams of New England, in the northwestern corner of the USA, with the vain hope attached that maybe you, the viewer, will grow as fond of the music as we have. When we first encountered these musicians, we were overwhelmed by the quality of their musical output. We were entranced by the melodies, harmonies, rhythms, and tempos and every other element that constitutes a song (or, as is often the case, a piece of abstract drone music, heavy feedback, or someone banging a steel pipe against a bag of dirt while chanting in a yet undiscovered language, or...).",0.138,"2012-03-14",4.5,{"adult":8,"backdrop_path":105,"genre_ids":106,"id":109,"title":110,"original_language":20,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":8,"video":8,"vote_average":115,"vote_count":116},"\u002Fe7XOjSdHJuuG2CxffmrgnrWxaCE.jpg",[107,14,108],35,878,19459,"Tribulation 99: Alien Anomalies Under America","Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.",0.178,"\u002F7aP35sdBMPDxPk2BqgNHKacG429.jpg","1991-12-07",5.214,14,{"adult":8,"backdrop_path":10,"genre_ids":118,"id":119,"title":120,"original_language":20,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":8,"video":8,"vote_average":36,"vote_count":57},[14],280614,"Canadian Pacific II","Canadian Pacific II is designed as a companion piece to Canadian Pacific I.  Shot from a window two storeys higher and in the building adjacent to the artists’s studio of the previous year, one enters into a dream state… an involvement with a vocabulary of seeing and feeling by subtle transitions of the passage of time",0.1446,"\u002FiTdLUGVVNEnHXRohvVhiwWCooUl.jpg","1975-07-06",{"adult":8,"backdrop_path":10,"genre_ids":126,"id":127,"title":128,"original_language":129,"original_title":128,"overview":130,"popularity":131,"poster_path":132,"release_date":133,"softcore":8,"video":8,"vote_average":134,"vote_count":57},[14],825754,"Collage","fr","Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.",0.1934,"\u002F3ZV71YQGCJb67eJwSuIA7oOslzY.jpg","2021-05-05",10,{"adult":8,"backdrop_path":10,"genre_ids":136,"id":137,"title":138,"original_language":139,"original_title":140,"overview":141,"popularity":142,"poster_path":10,"release_date":143,"softcore":8,"video":8,"vote_average":11,"vote_count":11},[14],262209,"Under a Bridge","ja","橋の下から","In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.",0.1254,"1974-03-31",{"adult":8,"backdrop_path":10,"genre_ids":145,"id":146,"title":147,"original_language":20,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":8,"video":8,"vote_average":152,"vote_count":40},[14],264487,"CNN Concatenated","An 18-minute long single-channel video which uses CNN footage cut so that each word is spoken by a different newsperson. The pieces literally asks the viewers questions about media authenticity and give CNN a distinct voice",0.13,"\u002F8vMAsczyxZalJMzLnvJtuZxsAen.jpg","2002-01-01",4,{"adult":8,"backdrop_path":154,"genre_ids":155,"id":156,"title":157,"original_language":158,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":8,"video":8,"vote_average":164,"vote_count":152},"\u002Fgz9nx21J2du76fT5gJFmPtlDpdN.jpg",[14,97],74935,"Helicopter String Quartet","de","Helikopter Streichquartett","One morning, the late Karlheinz Stockhausen awoke from a dream that told him to take to the sky. Stockhausen envisioned four helicopters swirling in the clouds, with each of a quartet’s members tucked inside his own chopper, communicating through headsets, stringing away in sync to the rotor-blade motors. He immediately set forth to make that dream a reality. In 1995, Dutch film director Scheffer followed Stockhausen in the days leading up to the premiere performance of his Helicopter String Quartet in Amsterdam. The resulting film offers a rare glimpse of Stockhausen as he patiently dictates every agonizingly detailed measure to the Arditti Quartet.",0.1494,"\u002FsWTML4oZ7XWIyKpohNj9n02SAV5.jpg","1996-10-17",6,{"adult":8,"backdrop_path":166,"genre_ids":167,"id":170,"title":171,"original_language":129,"original_title":172,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":8,"video":8,"vote_average":177,"vote_count":178},"\u002F7BoVku5UsEMoegaSMKsX8tMVSks.jpg",[14,168,169],36,10752,336134,"200,000 Phantoms","200 000 Fantômes","In 1914, the Czech architect Jan Letzel designed in the Japanese city of Hiroshima Center for the World Expo, which has turned into ruins after the atomic bombing in August 1945. “Atomic Dome” – all that remains of the destroyed palace of the exhibition – has become part of the Hiroshima memorial. In 2007, French sculptor, painter and film director Jean-Gabriel Périot assembled this cinematic collage from hundreds of multi-format, color and black and white photographs of different years’ of “Genbaku Dome”.",0.3052,"\u002F4O270a13QFzV3esWdjm858q6tWg.jpg","2007-07-11",7.364,11,{"adult":8,"backdrop_path":10,"genre_ids":180,"id":181,"title":182,"original_language":158,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":8,"video":8,"vote_average":187,"vote_count":188},[14],701688,"Switzerlanders","A cinematic time capsule with over 1,400 hours of submitted material from all regions of Switzerland gives unknown insights about the life of Swiss people in the politically and socially turbulent summer of 2019.",0.1772,"\u002F3PCZwhXdIJzYCRvYMfYeUfAcCKY.jpg","2020-05-21",3.7,3,{"adult":8,"backdrop_path":190,"genre_ids":191,"id":192,"title":193,"original_language":194,"original_title":195,"overview":196,"popularity":197,"poster_path":198,"release_date":199,"softcore":8,"video":8,"vote_average":200,"vote_count":152},"\u002Fvd1DIwkM9FyqUBZM2v59e4HOuaK.jpg",[14],1058950,"The Long Voyage of the Yellow Bus","pt","A Longa Viagem do Ônibus Amarelo","For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!",0.1799,"\u002F8eQxaah7vUX2WSkWWnTovXy4tZE.jpg","2023-01-30",9,{"adult":8,"backdrop_path":202,"genre_ids":203,"id":205,"title":206,"original_language":20,"original_title":206,"overview":207,"popularity":208,"poster_path":209,"release_date":210,"softcore":8,"video":8,"vote_average":211,"vote_count":212},"\u002FaVFSOsDd58xBHNPcWVmwwJoKmJZ.jpg",[204,14,168],16,59361,"Anamorphosis","The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.",0.3191,"\u002FuUHlL1Wo4gPJxaYriuwUx9re0v3.jpg","1993-04-09",6.587,23,{"adult":8,"backdrop_path":214,"genre_ids":215,"id":216,"title":217,"original_language":129,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":8,"video":8,"vote_average":54,"vote_count":57},"\u002FhWo3KlviFmBlAbvuJDXeKIl2kFj.jpg",[14],146715,"The Memories of Angels","La mémoire des anges","Documentary, poetry and essay rolled into one, this compilation of stockshots and clips sourced from NFB productions of the '50s and '60s offers a singular lesson in Montreal history - its famous figures, symbolic places, and ordinary citizens. Without commentary, the film moves from the red light district to Jean Drapeau, the Jacques-Cartier market, department stores downtown, textile factories, and the construction of Place Ville-Marie. We meet Geneviève Bujold, Oscar Peterson, Monique Mercure, and Igor Stravinsky. We hear Raymond Lévesque, Jean Drapeau, and René Lecavalier.",0.19,"\u002FusnAsesA8ObulZsj00GRjF7ylnO.jpg","2008-09-05",{"adult":8,"backdrop_path":224,"genre_ids":225,"id":228,"title":229,"original_language":20,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":8,"video":8,"vote_average":164,"vote_count":234},"\u002Fb9A7Asxi6QVumVD1vVpnDsKsWVQ.jpg",[226,14,227],9648,27,364426,"Fear Itself","A girl haunted by traumatic events takes us on a mesmerising journey through 100 years of horror cinema to explore how filmmakers scare us – and why we let them.",0.1623,"\u002F78tju8bj08V8F0Wg0YDYznOWjHA.jpg","2015-10-18",18,{"adult":8,"backdrop_path":10,"genre_ids":236,"id":237,"title":238,"original_language":20,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":8,"video":8,"vote_average":243,"vote_count":188},[14],172754,"What The Future Sounded Like","From Dr Who to The Dark Side of the Moon to modern day dance music, the pioneering members of the Electronic Music Studios radically changed the sound-scape of the 20th Century. What the Future Sounded Like tells this fascinating story of British electronic music. What The Future Sounded Like mixes experimental visual and sonic techniques with animation and never-seen-since archival footage. A sonic and visual collage, this documentary colors in a lost chapter in music history, uncovering a group of composers and music engineers who harnessed technology and new ideas to re-imagine the boundaries of music and sound.",0.1819,"\u002F8eii825BvPJE56oK19hXdrGjumJ.jpg","2007-03-03",5.3,{"adult":8,"backdrop_path":245,"genre_ids":246,"id":247,"title":248,"original_language":20,"original_title":248,"overview":249,"popularity":250,"poster_path":251,"release_date":252,"softcore":8,"video":8,"vote_average":11,"vote_count":11},"\u002Fwx4oEQGQ8dx3biGwY4HqTS9dO33.jpg",[14],1286621,"Dual Citizens","Three Nicaraguan-American artists from the Washington D.C. Metro area discuss growing up in two cultures and how it influences their art.",0.1791,"\u002FzC9qm8ssCIgGhq82mShQGDv2QM2.jpg","2024-05-07",{"adult":8,"backdrop_path":10,"genre_ids":254,"id":255,"title":256,"original_language":20,"original_title":256,"overview":257,"popularity":258,"poster_path":259,"release_date":260,"softcore":8,"video":8,"vote_average":261,"vote_count":36},[97,14],180244,"We Don't Care About Music Anyway","From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness.  While introducing some of the greatest musicians of this scene, \"We Don't Care About Music Anyway...\" offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction.",0.2865,"\u002FbF6w7MzsW1vlPsi0eHMlz8ASsYf.jpg","2011-01-15",6.3,{"adult":8,"backdrop_path":10,"genre_ids":263,"id":264,"title":265,"original_language":20,"original_title":265,"overview":266,"popularity":267,"poster_path":10,"release_date":268,"softcore":8,"video":8,"vote_average":54,"vote_count":57},[14,97,204],754140,"Braverman's Condensed Cream of the Beatles","Photos, animation, and music illustrate the story of the Beatles.",0.1493,"1974-10-03",{"adult":8,"backdrop_path":270,"genre_ids":271,"id":272,"title":273,"original_language":20,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":277,"softcore":8,"video":8,"vote_average":278,"vote_count":134},"\u002F8wZn6h89aHxGSSdkWNmLT9yYPCe.jpg",[14],763569,"Moments Like This Never Last","Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown New York City in the late 1990s. Developing from a notorious graffiti tagger into an international art star, he documented his drug- and alcohol-fueled nights with the surrogate family he formed with friends and fellow artists Ryan McGinley and Dan Colen before his death by heroin overdose in 2009. Drawing from Snow’s unforgettable body of work and involving archival footage, Cheryl Dunn’s exceptional portrait captures his all-too-brief life of reckless excess and creativity.",0.3768,"\u002F4dsACr2yKHsV1KVJ7WUMkT9wAwc.jpg","2021-08-20",6.1,{"adult":8,"backdrop_path":280,"genre_ids":281,"id":282,"title":283,"original_language":20,"original_title":283,"overview":284,"popularity":285,"poster_path":286,"release_date":287,"softcore":8,"video":8,"vote_average":288,"vote_count":289},"\u002F7rzQA3o42h80iHW1gw0YIeL4oce.jpg",[14],182099,"21-87","This short film from Arthur Lipsett is an abstract collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board (where he worked as an animator), combined with his own black and white 16mm footage shot on the streets of Montreal and New York City, among other locations. 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