[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"lookup-10-4-dah-be-alaveh-chahar-2007":3,"movie-10-4-dah-be-alaveh-chahar-2007-en":7},{"id":4,"title":5,"year":6},263113,"10 + 4 (Dah be alaveh chahar)","2007",{"adult":8,"backdrop_path":9,"belongs_to_collection":9,"budget":10,"genres":11,"homepage":15,"id":4,"imdb_id":16,"origin_country":17,"original_language":19,"original_title":5,"overview":20,"popularity":21,"poster_path":22,"production_companies":23,"production_countries":24,"release_date":25,"revenue":10,"runtime":26,"softcore":8,"spoken_languages":27,"status":32,"tagline":33,"title":5,"video":8,"vote_average":34,"vote_count":35,"credits":36,"similar":76,"videos":268,"watch\u002Fproviders":270,"recommendations":272},false,null,0,[12],{"id":13,"name":14},99,"Documentary","http:\u002F\u002Fwww.mania-film.com\u002Ffilms\u002F104-2\u002F","tt1198049",[18],"US","en","After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.",1.2166,"\u002FfzVLa6pA6V8vlCJWArgupfVL1Ms.jpg",[],[],"2007-07-08",77,[28],{"english_name":29,"iso_639_1":30,"name":31},"Persian","fa","فارسی","Released","",4,2,{"cast":37,"crew":64},[38,47,55],{"adult":8,"gender":39,"id":40,"known_for_department":41,"name":42,"original_name":42,"popularity":43,"profile_path":44,"cast_id":39,"character":45,"credit_id":46,"order":10},1,557854,"Directing","Mania Akbari",0.3421,"\u002FbbXvxLNAn2pgu7aWAEYaCfADhhg.jpg","herself","5cbf0ffcc3a368694c89b0bb",{"adult":8,"gender":39,"id":48,"known_for_department":41,"name":49,"original_name":50,"popularity":51,"profile_path":52,"cast_id":35,"character":53,"credit_id":54,"order":39},557856,"Amina Maher","امین ماهر",0.598,"\u002FaTWjsuj0JKRaLz6x9k5M7aqAAFB.jpg","acteur","5cbf102e0e0a2615fdf28e03",{"adult":8,"gender":39,"id":56,"known_for_department":57,"name":58,"original_name":58,"popularity":59,"profile_path":60,"cast_id":61,"character":62,"credit_id":63,"order":35},238782,"Acting","Behnaz Jafari",0.9552,"\u002FxIYEJiOepfajiYuEdypf6aj17WQ.jpg",3,"actrice","5cbf1045c3a368145882f1da",[65,68],{"adult":8,"gender":39,"id":40,"known_for_department":41,"name":42,"original_name":42,"popularity":43,"profile_path":44,"credit_id":66,"department":41,"job":67},"53bc253b0e0a261978003298","Director",{"adult":8,"gender":35,"id":69,"known_for_department":70,"name":71,"original_name":71,"popularity":72,"profile_path":73,"credit_id":74,"department":70,"job":75},1119422,"Camera","Touraj Aslani",0.379,"\u002Fz8FmjZ1yHOeMG6f4E9VcSTfpw88.jpg","5d3260376a300b2f7ea2cda4","Director of Photography",{"page":39,"results":77,"total_pages":266,"total_results":267},[78,89,97,109,120,133,144,152,162,170,177,184,192,203,214,224,232,239,247,259],{"adult":8,"backdrop_path":79,"genre_ids":80,"id":81,"title":82,"original_language":19,"original_title":82,"overview":83,"popularity":84,"poster_path":85,"release_date":86,"softcore":8,"video":8,"vote_average":87,"vote_count":88},"\u002FjbdvzJvNu0swWURJp71Fxwd54Fm.jpg",[13],15302,"The Pixar Story","A look at the first years of Pixar Animation Studios - from the success of \"Toy Story\" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.",3.3253,"\u002FvhK51wJybwZTRCPVUOkGpSI4auN.jpg","2007-08-28",7.539,246,{"adult":8,"backdrop_path":9,"genre_ids":90,"id":91,"title":92,"original_language":19,"original_title":92,"overview":93,"popularity":94,"poster_path":95,"release_date":96,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],273095,"In Free Fall","The space of the junkyard allows various ‘crash’ narratives to unfold, with the stories of actual crashes and the remnants and afterlife of these machines becoming metaphors for economic decline. This is an investigation of planes as they are parked during the economic downturn, stored and recycled, revealing unexpected connections between economy, violence and spectacle, finding perfect example in the form of the Boeing 4X-JYI, an aircraft first acquired by film director Howard Hughes for TWA, which was subsequently flown by the Israeli Airforce before finding its way to the Californian desert to be blown up for the Hollywood blockbuster Speed. Through intertwined narratives of people, planes and places Steyerl reveals cycles of capitalism incorporating and adapting to the changing status of the commodity, but also points at a horizon beyond this endless repetition.",0.7167,"\u002Fmd9Zkz1tciaU835bCUgrjseCgEN.jpg","2010-01-02",{"adult":8,"backdrop_path":98,"genre_ids":99,"id":100,"title":101,"original_language":102,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":8,"video":8,"vote_average":108,"vote_count":39},"\u002Fk364Zgwqy3ma8bDhYfwnNFjlN5g.jpg",[13],451933,"Greater Freedom Lesser Freedom","de","Grosse Freiheit - Kleine Freiheit","Two women fought with uncompromising conviction to change the world in the late 1960s - Inge Viett as a former member of the RAF in Germany, Maria Barhoum as former member of the FAU in Uruguay. In 1999, they met in Cuba, a country that seemed to mirror many of their questions, hopes and fears. The film looks at their real lives and different roads to exile; two utopian visions sought under very different conditions on separate continents. It is a double portrait of two extraordinary women that succeeds in avoiding the twin pitfalls of condemnation and glorification.",1.0807,"\u002F49zflgOXqFBBuL90jFsHiv78CIg.jpg","2000-10-26",10,{"adult":8,"backdrop_path":110,"genre_ids":111,"id":112,"title":113,"original_language":19,"original_title":113,"overview":114,"popularity":115,"poster_path":116,"release_date":117,"softcore":8,"video":8,"vote_average":118,"vote_count":119},"\u002F6TMCHxjXVpkRChiqWJqILI5vsmp.jpg",[13],452230,"Sea Sorrow","A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. 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Fifty years later, after the collapse of the Communist bloc, this newsreel was lost in the confusion of the fighting in Yugoslavia. In Journal No. 1 Hito Steyerl attempts to find out how the footage got lost and what was on this document from the Sutjeska studio. In the simultaneous projection of Journal No. 1 the ‘unattainability of an historical zero hour of the national identity’ takes concrete form: The lost newsreel reports on a literacy campaign as well as Muslim women confidently removing their headscarves. We listen however to eyewitnesses trying to recapture the lost content and we see the artist Arman Kulasic making a number of drawings that resemble the story-boards for the lost film. What appears to be moments of great change remain limited by subjective and uncertain memory.  The film was premiered at documenta 12.",0.7089,"\u002FlMs4uVivvcmvICiJOkFC11DGtyZ.jpg","2007-06-01",{"adult":8,"backdrop_path":9,"genre_ids":153,"id":154,"title":155,"original_language":19,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":8,"video":8,"vote_average":160,"vote_count":161},[13],16190,"Žižek!","ŽIŽEK! trails the thinker as he crisscrosses the globe, racing from New York City lecture halls, through the streets of Buenos Aires, and even stopping at home in Ljubljana, Slovenia. All the while Žižek obsessively reveals the invisible workings of ideology through his unique blend of Lacanian psychoanalysis, Marxism, and critique of pop culture.",0.9528,"\u002FuInmp8gcdIZksJJMTPIGDOE5MIM.jpg","2005-11-18",6.811,37,{"adult":8,"backdrop_path":9,"genre_ids":163,"id":164,"title":165,"original_language":19,"original_title":165,"overview":166,"popularity":167,"poster_path":9,"release_date":168,"softcore":8,"video":8,"vote_average":169,"vote_count":61},[13],452512,"Estados da Matéria","They thought life would be simple. All material problems would be overcome. Every morning it would be good to have breakfast together, the table laid. It would be the beginning of a long day at work.  The daily ritual of a house inhabited by a mother and the two-year-old daughter. The automatism of the gestures of material life and its suspension in small events.",3.2458,"2005-01-01",5,{"adult":8,"backdrop_path":9,"genre_ids":171,"id":172,"title":173,"original_language":19,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":168,"softcore":8,"video":8,"vote_average":34,"vote_count":35},[13],452594,"Mohawk Girls","For three teenage girls growing up in Kahnawake — and indeed, all teenagers on the reserve — life can be quite confusing. If they want to move away to pursue new experiences — perhaps in nearby Montreal — they risk losing credibility, or worse yet, their rights as Mohawk women. Of course, if they stay, their opportunities in the tiny community are limited. With insight, humour and heart, director Tracey Deer (who left Kahnawake to attend school and pursue filmmaking) returns to her community to follow these Mohawk girls and tell their stories. Her deeply emotional documentary reveals the complex hope, heartache and promise of growing up Indigenous in the 21st century.",0.9636,"\u002FwvQTRja41NBAGDmlmLQId7mw7EJ.jpg",{"adult":8,"backdrop_path":9,"genre_ids":178,"id":179,"title":180,"original_language":102,"original_title":180,"overview":181,"popularity":182,"poster_path":9,"release_date":183,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],1391241,"Das Haus der Begierde","A documentary about retired art museum guards and their perception of life and art.",0.6356,"1990-01-01",{"adult":8,"backdrop_path":9,"genre_ids":185,"id":186,"title":187,"original_language":19,"original_title":187,"overview":188,"popularity":189,"poster_path":9,"release_date":190,"softcore":8,"video":8,"vote_average":191,"vote_count":61},[13],273781,"Chuck Close","Chuck Close, an astounding portrait of one of the world's leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time. With editing completed by filmmaker Ken Kobland, Chuck Close lives the life and work of a man who has reinvented portraiture. Close photographs his subjects, blows up the image to gigantic proportions, divides it into a detailed grid and then uses a complex set of colors and patterning to reconstruct each face.",0.8709,"2007-01-01",5.7,{"adult":8,"backdrop_path":193,"genre_ids":194,"id":195,"title":196,"original_language":197,"original_title":196,"overview":198,"popularity":199,"poster_path":200,"release_date":201,"softcore":8,"video":8,"vote_average":202,"vote_count":119},"\u002F1g5RGDAskk0kcFTRFc1kqdUhoqz.jpg",[13],16201,"Armbryterskan från Ensamheten","sv","The tiny village in the far north of Sweden called Ensamheten (Solitude) has sixteen inhabitants. They all share an unusual passion - armwrestling.",1.7925,"\u002FyR8xxU0gdVywomw85dPTo2VoXz3.jpg","2004-10-01",5.857,{"adult":8,"backdrop_path":204,"genre_ids":205,"id":206,"title":207,"original_language":126,"original_title":208,"overview":209,"popularity":210,"poster_path":211,"release_date":212,"softcore":8,"video":8,"vote_average":213,"vote_count":169},"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg",[123,13],273852,"The Zerda or the Songs of Forgetting","La Zerda ou les chants de l'oubli","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",0.4338,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,{"adult":8,"backdrop_path":215,"genre_ids":216,"id":217,"title":218,"original_language":19,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":8,"video":8,"vote_average":223,"vote_count":169},"\u002F8pfVyR3Jp6Kpp3UT2Cl07V4702N.jpg",[13],15782,"To See If I'm Smiling","Israel is the only country in the world where 18-year-old girls are drafted for compulsory military service. The frank testimonials of six female Israeli soldiers stationed in Gaza and the West Bank sees the young women revisit their tours of duty in the occupied territories, and share shocking moments of negligence, flippancy, immaturity and power-tripping.",0.8269,"\u002FckrKWArReVMBBxU5rueOshWHhQu.jpg","2007-09-30",8.2,{"adult":8,"backdrop_path":9,"genre_ids":225,"id":226,"title":227,"original_language":19,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":8,"video":8,"vote_average":169,"vote_count":61},[13],287100,"Don't Breathe","Don’t Breathe is a dark comedy set in Georgia that follows the tribulations of a middle-aged man, Levan, who is suddenly led to question his existence because of a routine medical examination. It sends him into a downward spiral of paranoia and doubt as he fumbles his way through the theatre of the absurd that we call life. Using humour and a playful tone, the film examines the fragility of human nature, when our bearings get lost and our imagination takes over, highlighting our common fears, doubts, hopes and resilience.",0.8764,"\u002FeiFXZOoCAvRavyvZk4c6o1mebs.jpg","2014-09-04",{"adult":8,"backdrop_path":9,"genre_ids":233,"id":234,"title":235,"original_language":102,"original_title":235,"overview":236,"popularity":237,"poster_path":9,"release_date":238,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],1584693,"Zelja heißt Wunsch, Zivot ist das Leben","Documentary film about a Yugoslavian migrant worker couple who have been living in German-speaking Switzerland for 16 years but hope to realize their dreams and values by returning to their homeland.",0.8479,"1986-01-01",{"adult":8,"backdrop_path":9,"genre_ids":240,"id":241,"title":242,"original_language":19,"original_title":242,"overview":243,"popularity":244,"poster_path":9,"release_date":245,"softcore":8,"video":8,"vote_average":246,"vote_count":35},[13],287204,"Unnamed Film","Another kind of utopia is presented in the films of Naomi Uman, whose search for her family roots in the Ukraine led her to move to the small village of Legedzine. In \"Unnamed Film\", she shoots the old bubushka ladies as they expertly prepare pickles, pick vegetables, and sing odes to vodka. Shot on 16mm with non-sync sound, it has an intimate, handmade quality, only heightened by the use of explanatory inter-titles in place of subtitles. Uman’s Ukrainain was weak, so she wanted the viewer to have the same experience as she did, just getting the gist of things. As with Uruphong’s work, there is a nostalgia for the old ways, which were self-sufficient but took an incredible toll on the body. The bubushkas complain about their aching backs and the never-ending poverty, spiking any drift towards romanticization.",1.1154,"2008-01-01",5.5,{"adult":8,"backdrop_path":248,"genre_ids":249,"id":251,"title":252,"original_language":19,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":8,"video":8,"vote_average":257,"vote_count":258},"\u002Fpv5Rri2bPHyJTaIbOdpwXonKL3x.jpg",[13,250],36,32728,"Before Stonewall","New York City's Stonewall Inn is regarded by many as the site of gay and lesbian liberation since it was at this bar that drag queens fought back against police June 27-28, 1969. This documentary uses extensive archival film, movie clips and personal recollections to construct an audiovisual history of the gay community before the Stonewall riots.",1.8442,"\u002F5LQNv5TQHgD5A5ZdlNIUibiM04S.jpg","1984-09-15",6.531,32,{"adult":8,"backdrop_path":9,"genre_ids":260,"id":261,"title":262,"original_language":102,"original_title":262,"overview":263,"popularity":264,"poster_path":9,"release_date":265,"softcore":8,"video":8,"vote_average":10,"vote_count":10},[13],1585140,"Wir sind stark und zärtlich - Bericht aus einer Mädchengruppe","An insight into a girls' group in a mining community in the Ruhr region.",0.9024,"1981-01-01",12267,245323,{"results":269},[],{"results":271},{},{"page":39,"results":273,"total_pages":494,"total_results":495},[274,286,298,309,319,330,342,353,364,374,385,395,406,417,429,440,451,461,472,483],{"adult":8,"backdrop_path":275,"id":276,"title":277,"original_title":277,"overview":278,"poster_path":279,"media_type":280,"original_language":19,"genre_ids":281,"popularity":282,"release_date":283,"softcore":8,"video":8,"vote_average":284,"vote_count":285},"\u002Fgf2jWMEElanX8IsxQGzGEakKh0l.jpg",1853,"In the Realms of the Unreal","In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.","\u002FlKxzlejHu8ApBZohNHMfbmIGzZd.jpg","movie",[13],3.7379,"2004-01-15",7.171,41,{"adult":8,"backdrop_path":287,"id":288,"title":289,"original_title":289,"overview":290,"poster_path":291,"media_type":280,"original_language":19,"genre_ids":292,"popularity":294,"release_date":295,"softcore":8,"video":8,"vote_average":296,"vote_count":297},"\u002FhezNIUVmRb1johZaouRqeIKWeMJ.jpg",169760,"Maidentrip","14-year-old Laura Dekker sets out on a two-year voyage in pursuit of her dream to become the youngest person ever to sail around the world alone.","\u002Fl8avFTtVCGcX9Akca7BdUAqyG60.jpg",[293,13],12,2.3555,"2014-01-17",7.087,69,{"adult":8,"backdrop_path":299,"id":300,"title":301,"original_title":301,"overview":302,"poster_path":303,"media_type":280,"original_language":19,"genre_ids":304,"popularity":305,"release_date":306,"softcore":8,"video":8,"vote_average":307,"vote_count":308},"\u002Fkwccaxm4rN5eVVZzkRIkac8Lba9.jpg",376534,"Cameraperson","As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.","\u002Fp1Od99QxnzCB9vKu9uxkZQlPZQ5.jpg",[13],2.3171,"2016-09-09",6.7,91,{"adult":8,"backdrop_path":310,"id":311,"title":312,"original_title":312,"overview":313,"poster_path":314,"media_type":280,"original_language":19,"genre_ids":315,"popularity":316,"release_date":317,"softcore":8,"video":8,"vote_average":318,"vote_count":285},"\u002Fc3hLMqh2QqJd7m1ar6rxw9eio35.jpg",1723460,"A Toxic Love Story","A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.","\u002F9CmyFXKqQRVbGGxyJE6kp7fhrHa.jpg",[13],11.9795,"2026-07-22",6.5,{"adult":8,"backdrop_path":320,"id":321,"title":322,"original_title":322,"overview":323,"poster_path":324,"media_type":280,"original_language":19,"genre_ids":325,"popularity":326,"release_date":327,"softcore":8,"video":8,"vote_average":328,"vote_count":329},"\u002FdNFtDcFDLKwpCqOcvZNsNSZiLWf.jpg",293262,"I Am Ali","Unprecedented access to Muhammad Ali's personal archive of \"audio journals\" as well as interviews and testimonials from his inner circle of family and friends are used to tell the legend's life story.","\u002FtWUhh4v5NEMQwsXMtxlCUFtMfre.jpg",[13],2.1319,"2014-10-10",6.75,84,{"adult":8,"backdrop_path":331,"id":332,"title":333,"original_title":333,"overview":334,"poster_path":335,"media_type":280,"original_language":19,"genre_ids":336,"popularity":338,"release_date":339,"softcore":8,"video":8,"vote_average":340,"vote_count":341},"\u002F52t7nT1f117FW6gdG32DrQKxpU1.jpg",1642859,"Iron Maiden: Burning Ambition","With unprecedented access to the official archives and intimate recollections from the band, both current and past,  Iron Maiden: Burning Ambition invites fans to experience one of the most iconic journeys in music history.  Spanning five decades, this electrifying documentary charts the band’s rise from the pubs of East London to the world’s biggest stadiums. Featuring exclusive interviews with band members and contributors such as Javier Bardem, Lars Ulrich and Chuck D, as well as all-new animated sequences of the band's legendary mascot, Eddie, the film offers a rare and intimate look at Iron Maiden’s uncompromising vision and unwavering connection with their truly global army of fans.","\u002FyZqhFJDenLfgF1VygOOCNmAdS1P.jpg",[13,337],10402,4.9862,"2026-05-07",8.7,60,{"adult":8,"backdrop_path":343,"id":344,"title":345,"original_title":345,"overview":346,"poster_path":347,"media_type":280,"original_language":19,"genre_ids":348,"popularity":349,"release_date":350,"softcore":8,"video":8,"vote_average":351,"vote_count":352},"\u002FnWdEBsHiQaMk62zsFwOJeMMS5XW.jpg",121831,"Love, Marilyn","Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.","\u002FpWwZEW6kOpQ6CEw2n2y6kvVXYAK.jpg",[13],1.9622,"2013-05-30",6.576,72,{"adult":8,"backdrop_path":354,"id":355,"title":356,"original_title":356,"overview":357,"poster_path":358,"media_type":280,"original_language":19,"genre_ids":359,"popularity":360,"release_date":361,"softcore":8,"video":8,"vote_average":362,"vote_count":363},"\u002FcZRcHeM3pwIPOomIkGlEUpIpWF.jpg",101267,"Katy Perry: Part of Me","Giving fans unprecedented access to the real life of the music sensation, Katy Perry: Part of Me exposes the hard work, dedication and phenomenal talent of a girl who remained true to herself and her vision in order to achieve her dreams. 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